Showing posts with label Joe Bob Briggs. Show all posts
Showing posts with label Joe Bob Briggs. Show all posts

Monday, July 14, 2014

The Drive-In Will Never Die: The Story of Joe Bob Briggs


I feel that I want to do something special for this entry and I figure that I would write this blog about the man that helped inspire me to become The Video Creep.This entry we are going to focus on the career of John Bloom but you may know him by his other name Joe Bob Briggs.

I first discovered Joe Bob Briggs in 1996 when at the age of 16 during the early days of the Monday Night Wars I would tune in to WCW Monday Nitro and during some of the commercial Breaks I would see advertisements for Monstervision.

Now I was familiar with Monstervision and its rotating hosts which included Penn and Teller as well as some puppets that I felt were creepier than the films that they were playing.

The films also focused on Godzilla and occasionally they would show the Time Machine and When Dinosaurs ruled the Earth and I honestly expected that the host of Monstervision would be a character more like Grandpa Munster who had for a period hosted Super Scary Saturday on TBS.

The adds for Monstervision featured a man dressed like a cowboy and emerging from a trailer to plug the show and I had to say that I was interested.

After months of this ad campaign the night finally came where Monstervision with Joe Bob Briggs premiered on TNT on a Friday night that summer and the films being broadcast were the 1990 remake of Night of the Living Dead and Motel Hell.

The program began with Joe Bob yelling out the window of his trailer to his neighbor and then addressing the audience talking about the Night of the Living Dead in a way that I had never heard before.

I was at the time a steady viewer of USA Up All Night on Friday with Rhonda Shear and Saturday Nights with Gilbert Gottfried who would often be making fun of the movies that they were showing while having antics of their own. I noticed that Joe Bob while entertaining the audience with his own antics kept the focus on the film and even gave information about the production. Rarely did he bash the film that he was showing.

At the end of the program Joe Bob introduced himself as the Drive-In Critic of Grapevine Texas and I was shocked at the fact this man was from my area. How did I not hear of him sooner?

For many years my parent’s cable provider did not carry The Movie Channel and I never read the news publications that printed his articles but needless to say I decided to do my digging. It’s amazing what a kid can do in the early stages of the internet.

John Irving Bloom was born on January 27, 1953 in Dallas Texas however he grew up in Little Rock Arkansas and studied Sports writing at Vanderbilt University in Nashville Tennessee.

After graduating he relocated back to Dallas where he began to write articles for Texas Monthly and the Dallas Times Herald. After the Herald’s movie reviewer left the paper Bloom approached the editor and asked for the job.

Bloom had always had a love of the B-Picture as well as the Drive-in and soon realized that the films that he wanted to review weren’t reviewed by any “Respectable” reviewer and then decided to review the films himself under a pseudonym when various ideas were rejected because they sounded too ethnic Bloom decided on the whitest name that he could think of…Joe Bob Briggs.

Bloom soon created the character for Briggs being the Unapologetic, Unrefined redneck and the articles took the form of Briggs talking about that week’s misadventures with the interesting cast of supporting characters from BoBo Rodriguez, Ugly-on-a-Stick, and Wanda Bodeine among others.  The articles would always end with Joe Bob making it to the local Drive-in to watch whatever film had come out that week and would offer his own style of reviews with the Drive-In Totals counting the Blood Breasts and The Beasts as well as telling the dismemberments in the form of FU.

Joe Bob Briggs also used his column to rant about some of society’s more annoying facts and would also be an avid defender of films that the sensors would target referring to them as Communist Russia as well as a champion of the Drive-In and would refer to other movies as Indoor Bull Stuff but eventually began to review Video titles.    

The column titled Joe Bob Goes to the Drive-In’s popularity began to pick up but it also met it’s own fair share of detractors and controversies.  Bloom has said himself that writing Satire is like having a Machine Gun and you are going around shooting anything thing that moves until you hit a nerve and then you hit that 1000 more times.

On April 12th 1985 Joe Bob in his article reviewing the film The Last Dragon also wrote a spoof of Michael Jackson’s song in support of USA for Africa’s We are the World titled We are the Weird. In his Parody Joe Bob Briggs wrote about all of the Drive in Icons joining together in Grapevine to sing the song which was all in print however the lyrics were printed in the article.

The African American community in the Dallas area was not too pleased and they marched on the Dallas Times Herald led by Dallas County Commisioner John Wiley Price demanding a front page apology which they received and The Herald’s editor Will Jarret issued a public statement that “Joe Bob Briggs was Dead”.
Like many of the antagonists in the films that he reviewed Joe Bob Briggs was not dead but he came back with a vengeance.

Jarret intended to keep Bloom on as a writer since many had not made the connection that Bloom and Briggs were one and the same however Bloom decided to resign from the Herald and the column had already began to be printed in other publications across the country. 

Soon Bloom published a collection of his past articles and reviews in book format with the original Joe Bob Goes to the Drive-in with the forward written by Stephen King.

Soon thereafter Joe Bob Briggs began to tour with his one-man show An Evening with Joe Bob Briggs which was soon retitled Joe Bob Briggs Dead in concert in which Joe Bob would take the stage and while entertaining the audience with the stories about his “Assassination” comparing it to the infamous killing of JFK in Dallas.

Not only was original songs that Joe Bob would sing on the stage included in the show but Joe Bob would also open the show by swearing in the audience with the Drive-In Oath and would close the show with We are the Weird. Eventually Joe Bob taped one of his performances at the Arcadia Theatre in Dallas and the video was distributed.

Around this time Bloom was working for Rolling Stone Magazine and was sent on Assignment  to Austin to cover Dennis Hopper’s role in Texas Chainsaw Massacre Part 2 and was asked to perform a role in the film as Gonzo Moviegoer in which he is turned into Saw Fu by Leatherface along with two young ladies. The scene was eventually cut from the final product but Joe Bob Briggs remains in the end credits and the scene can be found in the deleted scenes on the 2006 DVD release aka the Gruesome Edition.

In 1988 Bloom released Joe Bob’s autobiography A Guide to the Western Civilization or My Story and Joe Bob also made a brief appearance in the Jerry Lee Lewis biopic Great Balls of Fire playing DJ Daddy-O' Phillips.

Joe Bob Briggs also released a series of Home Videos in the stores titled The Sleaziest Movies in the History of the World where he would introduce titles such as the Doris Wishman Nudist movies and the Herschel Gordon Lewis Splatter Films.   

Eventually Briggs was approached by The Movie Channel to host his own segment titled Joe Bob’s Drive-In Theatre. Which was intended to be a one time occurrence but eventually became a on-going gig.

The program consisted of Joe Bob appearing at the beginning of the program where he would similar to his column often rant about events and trends in society while also talking about his own misadventures then introducing the movie  and giving small facts about the film.

After the film played Joe Bob would return and close off the show discussing more facts about the film and giving a glimpse of the next weeks film.  Joe Bob would often have guests on the show that he would interview from the film including Linda Blair, Andy Sidaris, and the Cast of Night of the Living Dead for the 25th Anniversary Reunion.

Never one not to acknowlege his roots there was even a month where Joe Bob payed tribute to Horror Hosts from the Past where every week he would feature a different famous host. 

Originally the show was filmed in New York on the old Honeymooner’s set and soon Joe Bob decided to produce the show from Texas at the local production facilities.



Joe Bob’s Drive-In Theatre proved to be so popular that it was soon made into a double feature with two films

Joe Bob Briggs would go on to celebrate his 5 year anniversary show with a month of episodes in Las Vegas where Joe Bob would struggle with being cut of his expense account, being busted with a fools way to cheat at Black Jack, and other misadventures with a loyal cast of supporting characters in Vegas and eventually meeting with Vegas Icon Wayne Newton.

It turns out that Newton also wrote the Forward to Joe Bob’s next book Joe Bob Goes Back to the Drive-In.

You could also subscribe to and recieve Joe Bob's We are the Weird Newsletter in the mail.

Eventually Joe Bob was given his own award show on The Movie Channel called the Hubbie Awards and for this award the character of Joe Bob Briggs and his movie hosting would change forever.

 Honey Gregory was introduced as a presenter at the Hubbie Awards and soon joined the show as Honey the Mail Girl. A well Endowed sterotypical blond Honey would walk out and give Joe Bob letters from viewers with Joe Bob’s advice to the hopeless.

Briggs would always make passes at Honey and she would shoot him down in a viraty of interesting ways. The two maintained a great chemistry and Honey became Joe Bob’s sidekick and remained with the Movie Channel for the remainder of the show.

Joe Bob continued publishing his books with two additional titles with 1991’s The Cosmic Wisdom of Joe Bob Briggs where he continued with his own brand of humor talking about sociaties issues and trends.

In 1994’s Iron Joe Bob in which Joe Bob tries to teach the Journey of the Young Brave in All of us with keeping our Spears hard and not stuck in the mud.

It is around this time that Bloom began to make more appearances not just in the Joe Bob Briggs character but also making appearances in other films with small but important roles.

In 1994 he made a brief appearance in Stephen King’s The Stand where he played Deputy Joe Bob who is the person to lie about traveling outside of the quarantine zone therefor spreading the decease that eventually kills most of the population on the planet. Bloom would go on to talk about his appearance in the film where he was in Make up for six hours and the scene would be eventually cut from the final product of the film. 

He also appeared in the 1995 Martin Scorsese film Casino opposite Robert De Niro. Bloom plays Don Ward the Las Vegas yokel that works as a floor manager in the Tangiers Casino.  After Ward is fired by De Niro the casino’s gaming license is revokes effectively beginning the end of the Mob’s power in Vegas.

You would occasionally see Bloom making small appearences as Billy Ray Wetnap the boss of Kelly Bundy’s Verminator on Married with Children.

Also 1990's release of the Made-for-TV movie A Killing in a Small Town was based on Bloom's True Crime Novel Evidence of Love about the murder of Betty Gore in Texas.


Where I lived in the Dallas area you would often hear Joe Bob on the local radio in commercials for Shiner Bock while reading letters or giving manly advice on how to enjoy the Beverage telling us “Drink one and You’ll Understand”.  

Eventually Joe Bob’s run on The Movie Channel came to an end when in an effort to cut costs decided to eliminate the movie hosts from their channels and just run the films. However Joe Bob Briggs was not gone for very long.

That brings us back to Monstervision on TNT which is where most of us know Joe Bob Briggs. Monstervision was produced in the same facility in Dallas where Joe Bob’s Drive in Theatre was produced with the same crew and Honey also joined Joe Bob in his new move to TNT.

Things weren’t all smooth in the transition to TNT. Early in the stages of Monstervision as Joe Bob would enjoy a cigar during the episode soon Joe Bob was given one of many Memo’s from the TNT High Sheriffs telling him what he can’t do on the network. One of those Memos stated that Jane Fonda wanted no use of Tobacco on any of the programing on the Turner Networks. Soon Monstervision was informed that many women in the marketing department had taken offence to Honey and demanded her to be fired because Honey presented a negative stereotype of women, and these were women that never watched the show. Honey did remain for another year.



Honey soon began delivering mail to Joe Bob that was from various correctional institutions in the country which Joe Bob would read on the air. Some of this mail included letters from both Night Stalker Richard Ramirez as well as Rebecca Schaeffer’s murderer Robert John Bardo.

I myself wrote to Joe Bob during this time and I did receive a response on a special stationary that stated that “Joe Bob is a Close Personal Friend of Mine”.

Joe Bob also found himself trying to get the TNT censors to ease off on the cuts on the films since the show had such a late timeslot and often won some of these victories and at times managed to get them to blur out the nudity instead of just cutting out the scenes all together.

He did not always win these battles in terms of the gore, Blood and Violence in these films.

Sadly Honey eventually left the series and Joe Bob stated in character that she had hooked up with a man and left with him leaving him devastated. Honey was soon replaced by her sister Reno.

One of the innovations for Monstervision that proved popular around this time was the use of the Monstervision website tnt.turner.com/monstervision which continued to have content added overtime.
All while looking like a trailer park/Drive-In the website included a chat room where viewers and a moderator can discuss the film as well as the caption contest where you look at a picture and think of a caption and try to make the 6-headed Jury laugh and the winners received a free Monstervision T-shirt. You could also play the Find that Flick contest where clues would be given and the viewers would try to figure out what the movie was with the prize being from Joe Bob’s library of films.


Soon Monstervision was moved to Saturday Nights on TNT separated into two separate shows The first program was still Monstervision and featured Joe Bob sitting outside his trailer on the set made to resemble a trailer park with the TNT logo as the sign talking about Baffling modern trends and then the film and reading mail from the Mail Girl.

There was then the second feature of the evening where Joe Bob would move inside his trailer which looked far more larger on the inside, all While sitting at a table with various props and posters in the background that was relevant to that night’s movie This segment was titled Joe Bob’s Last Call.

Joe Bob’s popularity on TNT continued to grow and more was added to the show and for the Super Bowl XXXI Weekend Joe Bob hosted a 16 hour marathon of films. However the TNT executives were none too pleased with the mail Girl and she was replaced one last time with former US Air Force Veteran Renner St John as Rusty the Mail Girl.

On Halloween Night 1998 Joe Bob Hosted a the First ever From Dusk Till Dawn Friday the 13th Marathon. While deviating from his usual format this episode of Monstervision featured Joe Bob while showing as many of the Friday the 13th sequels as he could was being stalked by a mysterious killer that was taking out his crew with all evidence pointing to Ted Turner as the culprit.

Soon an annual occasion began during the summers with Joe Bob’s Summer School where Joe Bob would host the film in a classroom this time with guest lecturer who was also stars from that night’s films as well as lessons and trivia. 

The website was even moderated for the Summers where you can download a syllabus and take the pop quiz and you were even had finals and would receive a diploma if you passed.

Soon after the 1999 Joe Bob’s Summer School TNT decided to make some changes to the program and the filming location was moved from Dallas to Los Angeles and the show was changed to appeal to a more female friendly demographic as was the plan for TNT at the time.

Joe Bob’s Last Call was dropped from the line-up and the first show to air was Joe Bob’s Hollywood Saturday Night to be followed by Monstervision.  In order to follow TNT’s new direction the first movie that was aired was either a “Chick Flick” or a far more mainstream release than was previously shown.
At this time Joe Bob dropped most of his cowboy attire save for his boots and dressed in nicer clothes such as slacks and button down shirts to “Look More Hollywood”.

For Joe Bob’s Hollywood Saturday Night it was explained that Joe Bob and Rusty had moved to Hollywood and Joe Bob was romancing a former Hollywood starlet in Miss Verona and Joe Bob would host his first program and would have the occasional special guest that would watch the film with him and other times Joe Bob would host the movie while trying to hit on Miss Verona’s Dog Walker Summer.
Eventually Joe Bob would hear Miss Verona calling for him and he would sneak out of the mansion and would end up at his new trailer park where he would host Monstervision and be joined by Rusty to read the viewer mail.

There were some fun times during this era on TNT. On Halloween Eve of 1999 Joe Bob, Rusty, and Summer Hosted a four movie marathon and on the breaks were lost in the Hollywood Hills searching for the Nair Witch in their own Blair Witch Parody.

The Next Night Joe Bob was joined by Count Floyd himself and his former Friday Night rival Rhonda Shear to host John Carpenter’s in the Mouth of Madness.

Soon into the year 2000 TNT realized the budget of the program and soon decided to cut the show down to a single movie a week while dropping Hollywood Saturday Night kept Monstervision but this didn’t last.

Monstervision was canceled on On July 8, 2000 with it’s final movie being Children of the Corn 2.
After Joe Bob and his staff finished filming they were promptly told that they were fired and viewers were told with a message on the Monstervision Website that Joe Bob was leaving. The next Week was far more depressing when viewers logged into the site that was loaded with the drive-in images you witnessed all of the lights on the site shutting off and a sign posting on the front of the site stating that they were out of business.

This was again not the end of Joe Bob Briggs.

This time saw the launch of joebobbriggs.com and The Joe Bob Report and at the time you would have Joe Bob’s Week in Review emailed to you featuring that week’s news with Joe Bob’s humorous twist.

John Bloom began to work for United Press International and other publications penning columns like The Vegas Guy and Joe Bob’s America.  His work can also be seen in the book Choice: The Best of Reason.

John Bloom was also for years seen hosting the God Stuff segments of the Daily Show.

A religious man himself Bloom began helping with the Trinity foundation in the Dallas area and their work on the The Wittenburg Door working as a Watchdog for the Watchdogs.

2003 saw the release of the Millennium Edition of I Spit on Your Grave by Elite Entertainment and the DVD contained Audio Commentary by Joe Bob defending the film from it’s detractors. When Asked about this commentary Joe Bob stated that he was recommended by the director Meir Zarchi himself because he was the only critic that liked the film.

This DVD was followed by a brief series titled Joe Bob Briggs presents Jessie James Meets Frankenstein’s Daughter and the Double D Avenger.

Fans of Monstervision were treated to another DVD line that had Joe Bob’s Private Screening Room as an option where Joe Bob would introduce the film while providing another Commentary on the feature.
These titles included Hell High, Samurai Cop, and many titles from Ray Dennis Steckler including The Chooper aka Blood Shack and The Incredible Creatures that Stopped Living and became Mixed Up Zombies.

Bloom Also published two other books post Monstervision with Profoundly Disturbing: Shocking Movies that Changed History consisting of Essays on some of the groundbreaking films and their influence on our culture and how they effected filmmaking in general.

There was even a follow-up book titled Profoundly Erotic: Sexy Movies that Changed History again consisting of Essays on films that rocked the boat in censors and sensuality.

Ever the man of knowlege of the genre but of films and the Drive-In in general Joe Bob has also been an interview subject in many documentries ranging from horror special features like Texas Chainsaw Massacre and Jason X to films like American Scary and Drive-In Memories.

Joe Bob Briggs has also become a fixture on the Horror Convention Circuit. He was announced as a guest at the inaugural Texas Frightmare Weekend I finally got to meet the man in person while he moderated many QnAs on the weekend and granted us an exclusive interview for the event while we were filming the official DVD.


He can be seen at many great conventions across the country often moderating QnAs and many times he is joined with Honey the Mailgirl who has become a successful Family Lawyer in Bloomington, Indiana.
Renner St John has also become a successful attorney in Charlotte, North Carolina. I am unsure of Summer and Reno’s whereabouts and what they have been doing since the end of Monstervision.    

When Monstervision was canceled in 2000 I remember being disappointed but I knew that that was not the end of Joe Bob Briggs and in 2010 10 years later Anjanette and I had the honor of presenting him with a lifetime achievement award for his contributions to the genre in Tulsa ,Oklahoma.

There were a few technical difficulties as I was told to present the award on the stage with the microphones so that it could be recorded for the Podcast however there was no one pressing record at the soundboard and the videographer was having trouble with the recording of the audio on the camera as well. Luckily I am a skilled Video Tech and was able to restore as much as I could and then I would go on to moderate the QnA with Joe Bob and Frank De Felitta the director of Dark Night of the Scarecrow.

In 2012 I spent a great amount of time converting and restoring many of my old Monstervision VHSs to digital formats when my home was destroyed in a fire taking my entire media collection among others.

Soon after this Anjanette presented me with a package from Joe Bob with new autographed copies of some of his books to begin the rebuilding of my autograph collection. I was able to tank him personally when he appeared at the Alamo Drafthouse in January 2013 to present screenings of Don Knott’s The Love God? and the Roger Corman Angie Dickenson Classic Big Bad Mama.

Recently Joe Bob Briggs has announced the inception of Joe Bob Briggs Productions. While currently selecting scripts for production the films will be low budget films in the tradition of Roger Corman’s era of filmmaking which was a great time for movies.

This is shaping up to be a great endeavor and I hope to be involved with it in the near future.

You  can still reach Joe Bob Briggs at his website www.joebobbriggs.com

As well as on Facebook

https://www.facebook.com/JoeBobBriggs
Also on on Twitter @therealjoebob

You can also follow his production company on Twitter as well @JBBProTeam
I expect great things from this production company so keep an eye on them.

Till Next time this is Casey C. Corpier reminding you that The Eagle Has Landed, The Falcoln Has Molted, The Package has been Delivered , and the Fat Lady has Sung, But….

THE DRIVE-IN WILL NEVER DIE



Sunday, September 8, 2013

From the Vault: I Spit on Your Grave


I was talking to a friend recently about the times that we live in today. I asked a young lad If he could identify a noise and he didn’t recognize it however the girl and I recognized the noise as the noises that would be made by a dial-up modem connecting to the internet.

That is a definite sign of the times that we live in.

I remember when I graduated high school 15 years ago and the changes in technology that we faced at the time. In 1998 DVD was brand new and had not taken off yet as the main media and VHS was the dominant media in the market and Blockbuster was at the time the only place to rent a movie after they had run all of the independent video stores out of the business and this was a time before torrent and NetFlix.

It was also a time where many stores and theaters would not carry certain films because they were deemed too controversial to be carried. Today is different because many of these films are deemed tame by today’s standards.

Mark Twain said many years ago that censorship was “Like telling a man that he can’t have a Steak because a baby can’t chew it”. That is the way I feel about many films and there was a time after Blockbuster and Wal-Mart took over the industry they refused to carry many films and music because of mature ratings.

I personally worked for a time at Blockbuster and after many of these incidents occurred I left and began working for Virgin Megastore where these titles were carried.

Today Blockbuster is gone and Wal-Mart and the remaining retailers all carry the titles that they at one time refused to carry. Other films are easily accessible through Itunes, NetFlix, and Amazon Instant videos as well as the file sharing sites and viral video sites like YouTube.

In those days if it wasn’t for the internet to keep awareness of these films alive many of them would be forgotten because of censorship.

In the area that I grew up in Blockbuster had taken over all of the video stores in the area and It was increasingly difficult for me to find many of these old films.

One of the films that I had trouble finding was I Spit on Your Grave.

Now I have to ask myself what is the appeal of this film and I have to say it was originally the forbidden aspect of the film and later I became an avid defender of the film.

My relationship with I Spit on Your Grave begins when I was 18 years old. The Video Works store that I misspent many years of my youth at one time carried the film and by the time I was 17 years old and the film was on the list of being 18 years old to rent I patiently waited to turn of age so that I could rent the film and watch it and see what ALL of the hype was about. That hype would lead me to one of my most controversial moments in my life at this point.

I had already heard of the Hype before seeing the movie talked about in Fangoria magazine as well as on houseofhorror.com , thecabnetofdrcasey.com (No Relation), and a slew of other horror websites that I had began frequently checking out. I had managed to obtain a copy of Last House on the Left and upon telling a friend of mine that it was disturbing he promptly replied that I had to see I Spit on Your Grave.

I was in the store checking out a copy of Children Shouldn’t Play with Dead Things and Phantasm when I saw a disturbance in the front counter. A man had walked into the mature section and was upset because I Spit on Your Grave was within reach of his 8 year old son who I was wondering why he was in the mature section anyway. The man stated that he was a member of a certain Baptist church in the area and they decided that the film was unfit and they had earlier threatened to picket if the video was not removed from the shelves which the store had refused on the grounds that they have the right to show it if they wanted to.
This man then proceeded to open up the amaray and destroyed the tape at the front counter. This action angered me to the point that the very next Sunday I held a one-man protest outside their church angering the community as well as the church and many in my school.

In 1999 I was at the local Bulldog video store in Sulpher, Oklahoma visiting my parent’s Lake House and myself and my friend Slick did see a copy of the film naturally I snatched up and watched it that weekend.
The movie was infact pretty disturbing but was not worth the hype and controversy. This is where I bear in mind that I am a child of a time where many of become desensitized by what we see on the nightly news and on Tabloid Television. We see more violence on these programs than we see in films like these or in Video Games and Comic Books.

If you had told me on the night that I had watched this film that a decade later Camille Keaton would be a friend of mine that I frequently have long conversations with her over the phone I would tell you not to humor me.

Camille and I often speak about about the production of the film as well as some of our own projects and conventions that we plan on attending.

Also Joe Bob Briggs who provided the commentary on the 2003 Millenum Edition release of the film which remains on the 2010 Rerelease and Blu-Ray release to promote the remake of the same name, was one of the main people that introduced me to this film and before the releases that I have just spoke of gave me more information on the film when I asked him about them on his email list during the later days of Monstervision.  

In his commentary Joe Bob proceeded to break down the film and defend it against the controversy piece by piece going as far to point out the camerawork as well as the editing and naming other films that came out before the film.

The Commentary alone is worth the purchase of the DVD.

Needless to say this film has a special place for me for those reasons among others.
The plot of the film goes like this.

Writer Jennifer Hill moves from New York City to a small town in upstate New York for the summer to write her first novel. Upon her arrival she encounters a quartet of locals including Johnny the owner and operator of a gas station and his two friends Stanley and Andy who hang out at the gas station. Jennifer later encounters the mentally disabled Matthew who befriends Jennifer after delivering her groceries to her.
Eventually one day the men kidnap Jennifer and brutally rape her and leave her for dead.  Well Jennifer recovers and begins her quest for vengeance against the men who assaulted her.

Jennifer’s vengeance is carried out in many different ways from seduction to castration to flat out assault.
What I realized the most about I Spit on Your Grave is the point of view of the film.

Many have complained about the length of the rape scene and that is where I point out that there is actually four rape scenes that have a long drawn out scene between them and the assaults themselves are actually pretty short.

The excessive violence is also the main point of the controversy that the film has been subject to over the years. 

Anyone that has seen the process of bringing a rapist to justice knows how hard the process is particularly for the victim.

Meir Zarchi revealed during his commentary on the DVD that he was inspired to direct the film after he witnessed the real life aftermath of an assault while walking past Central Park in New York City with a friend and his daughter, a young woman who was assaulted emerged from the park. After taking his friend’s daughter home they decided to contact the police before they took her to the hospital. Zarchi quickly regretted that decision with the way that the victim was treated by the authorities claiming that the officer was “Not Fit to wear the uniform”.  As a result he produced and directed the film in which the victim of a gang-rape takes the revenge into her own hands.

This is where I point out the 2004 film Irreversible starring Monica Bellucci in particular the scene where her character is assaulted in a tunnel and afterward she is brutally beaten and left in a coma. In the end of the film her attacker is not brought to justice and her ex-boyfriend and fiancé take revenge on the wrong person and are hauled off to jail. I ask you which is worse?

Wes Craven’s First film Last House on the Left followed a similar premise in which a duo of young women head into the city to attend a rock concert are kidnapped raped and brutally murdered by  a quartet of criminals who eventually seek refuge inside the home of the parents of one of their victims. After the parents learn of the fate of their daughter they take revenge against them.

The film is also regarded as one of the most controversial films of the time.

Last House on the Left has been remade twice first in 2005 with Chaos which is far more brutal than it’s predecessor and the far more lighter 2009 Remake of the same name.

The remakes mark a sense of irony taking into consideration that Last House on the Left is in all regards itself a remake of Ingmar Bergman’s film the Virgin Spring.

In slightly similar plot of the family taking revenge against the ones that assaulted them is The Linda Blair film Savage Streets the heroine takes vengeance against the gang that raped her sister and murdered her best friend.

Then there are the other films that aren’t associated with the subgenre with films like Charles Bronson’s Death Wish series as well as the Dirty Harry films especially with Sudden Impact.

 There is also some of the films that have made the mainstream fare such as Jodie Foster’s film The Accused, and Brian De Palma’s Casualties of War. The differences is in these films is that the attackers are brought to Justice in the courts and not facing brutal revenge at the hands of their victims.

These films are just a few examples of the infamous Rape Revenge sub-genre.

The most recent example of the genre is the subplot of the recent film the Girl with the Dragon Tattoo,
The character of Lisbeth Salander is assaulted by her lawyer and she takes her revenge by marking him as well as threatening to castrate and kill him. The subplot is highly relevant in the sequels to the novel and the subsequent film adaptations.

The author of the Millennium trilogy Stieg Larsson was inspired to write the character after witnessing the assault of a woman and his reluctance and fear to help her. The event made a massive impact on Larsson and maintained the theme in his novels.

This is where I feel that I am an avid defender because of many people that I have known in my life that have been assaulted and the fact that I can see the aftermath of the attacks and the wrecking ball effect that it has had on their lives. It is a result of these events that I have volunteered for many rape prevention classes over the years.


In reality the film is by far from a feminist’s point of view which I feel that is why the film is so controversial.

In many of the films the victim takes her revenge but the woman is forever destroyed by the events that happened to her as well as her own actions.


Such as the film Ms. 45 the main character Thana (Played by Zoë Tamerlis Lund) begins taking her revenge out on any and all men that she sees she is finally taken down and killed by none other than one of her friends after killing her boyfriend in a brutal shooting spree at a Halloween party.

In I Spit on Your Grave Jennifer Hill is brutalized and destroyed but after a couple of scenes where she is shown healing her body you see her healing her mind and she begins writing her book again and slowly we see the character that we met at the beginning of the film.

 It is at this point that the attackers ride their boat past her house seeing that she is in fact alive and looking at them with revenge in her eyes.

Similar to the production of the Texas Chainsaw Massacre the film was a victim of it’s ultra-low budget and in the fact that the film could not afford stunt doubles.


 Camille Keaton had to do many of the film’s scenes that involved the character’s journey through the woods to civilization had to walk through the woods and streams naked and exposed to the elements, and insects even needing to be rushed to the emergency room one day after being bitten by a massive amount of poisonous insects during the production of the film. Ever the trooper Camille refused to alter the production schedule of the film to recover and continued production as scheduled.

Zarchi revealed in the commentary that Richard Pace who played the mentally disabled  Matthew during the filming of his death scene reacting to a fear of heights began to panic and started to really choke and hang eventually passed out and had to be revived after being lowered. When he came to he simply asked if the shot worked.

Eron Tabor played the woman hating gang’s leader Johnny, Tabor who was also a composer and a pianist was really nervous about the knives in the scenes in particularly the infamous bath tub sequence.

This sequence is the part of the film that is the most talked about. Jennifer seduces her attacker and while manually stimulating him she takes a giant butcher knife that she stole from Matthew and slicing off his penis (which you don’t see but you know that it is happening)  and the macho Johnny is reduced into a screaming crying mess that Jennifer allows to bleed to death.

Anthony Nichols was a cast member highly skilled at driving the motorboat and he even instructed Camille Keaton on how do drive the boat in her scenes.

Various members of the crew ended up leaving the production while the scenes were being filmed because of the excessive violence. These crew members included the Make-up woman as well as the Electrician.
Early on in pre-production Zarchi hired a production manager that many on the cast and crew could not stand because of his arrogance and Zarchi let him go early into the production.

After the scene in the church where Jennifer asks for forgiveness for what she is about to do was filmed the reverend of the church contacted Zarchi asking that he  turn over all footage of the inside of and around the church because he was told that Zarchi and his crew were filming a porno film.

It was later revealed that the reverend was told this by the fired crew member who followed the crew from New York City to Kent, Connecticut where 90% of the movie was filmed to spread the rumor around the town about the crew making a porno film.

He then explained the plot of the film to the reverend and was not only given his permission but was instructed that if anyone else had a problem with the film have them speak to the reverend himself Effectively giving the film the protection of the church.

I Spit on Your Grave has no musical Score to the film. This was not done for budgetary reasons Zarchi stated that he felt that the film needed no score for the film and he did have various music in the movie such Andy playing his Harmonica.

The MPAA constantly refused to grant the film an R-Rating since the NC-17 rating had not been invented yet the film would constantly receive an X-Rating that at the time and is still today looked on as porn films. 

Meir Zarchi self-distributed the film under the title Day of the Woman which did not do well and deeply in debt he had a company redistribute the film under the title I Spit on your Grave which Zarchi hated. As a matter of fact on the release of the Millennium edition release of the film Zarchi had the DVD titled I Spit on Your Grave aka Day of the Woman.

Zarchi also hated the new poster for the film that featured a shot of an actress’s backside (Not Camille) holding a knife with the tagline, “This Woman Has Just Cut, Chopped, Broken and Burned Five Men Beyond Recognition. But No Jury in America would Ever Convict Her!!!”…I Spit on Your Grave.

First off there were only four men and not five. Second off the never broke or burned any of them.

The film definitely takes a female point of view. In reality the only men that you see In the film are the rapists. There is however an organ player in the film and a butcher cutting meat in a store.

No One notices that in the scene where Jennifer is being chased through the woods there is clearly an audio person in the shot.  

Roger Ebert openly campaigned against the film referring to it as "a vile bag of garbage...without a shred of artistic distinction," and said that "Attending it was one of the most depressing experiences of my life."  Ebert himself alongside his partner Gene Siskel would even stand outside of theater to urge people not to see the film. Convincing theater management to cancel screenings and eventually got the distributer the pull the movie.

I Spit on Your Grave is banned in some countries because of the excessive violence in the film in the revenge sequences as well as the flat out violence in the rape sequences.


It is campaigns like these that have both added to the hype of the film and also spawned the outrage that has hurt the film. 

Many of the film’s detractors later admitted that they haven’t even seen the film yet they still spoke out against it.


One of the first reviews that I did here on the Video Creep Blog was the 2010 Remake of the Film.
Click Here for that review.

A sequel for that film will be released later this month.

All in All I am still a fan of the original and I highly recommend it to all of you.

Those of you that are of age that is.

By the Way nowadays you can find I Spit on Your Grave on NetFlix, Wal-Mart, and Hulu.

4 Dead Bodies
2 Breasts
5 Beasts
2 Boat Chases
Axe to the Back
Boat Motor to the Intestines
Hinging
Severed Penis Fu

4 Stars

One of the True Classics and definitely Check it out